To quote Mike Krieger, www.ZeroHedge.com 10/20/2011
“The reason the liberal mainstream corporate media demonized the Tea Party is because it threatens the status quo.
The reason the conservative corporate mainstream media demonizes Occupy Wall Street is because it threatens the status quo.
These are textbook divide and conquer strategies being used on the American people.
Do not fall for it. ( My emphasis.)
Yesterday I read a really interesting Gallup poll that stated: ‘Not surprisingly, Americans who consider themselves supporters of the Occupy Wall Street movement (26% of all Americans) are more likely to blame Wall Street than the federal government for the nation's economic problems.
Supporters of the Tea Party movement (22% of Americans) are overwhelmingly likely to blame the government.’
What is most compelling to me is that 26%+22% = 48% so basically almost a majority.
All we need to do is teach people that Washington D.C. and Wall Street are now the same corrupt entity.
They are one gigantic rogue trader sucking the lifeblood out of America.
If we can unite these forces, which I can say with certainty agree on the important issues, we can put an end to the status quo and free ourselves of this bondage.”
I knew in advance I'd be posting this.
I also thought I knew between two people who it was that would call and explain it to me in no uncertain terms how it is that Pearly Gates could not possibly be the most famed guitar in the history of Rock and Roll when it was indeed Brownie that sold at auction in 1999 for what was then a record price of $450,000 and Blackie that subsequently shattered and still holds the record for the highest selling guitar of all time, having also sold at auction, this time in 2004 for $959,000.
I was so sure ..... I had it typed in advance.
I simply left a space open just up ahead a bit in order to insert the name.
As it happened I only had it about half right as it turned out that it came via email from our good friend Richie (don't call me Dickie) V. a better than average non pro picker and a for sure Strat guy rather than a D. brother.
So, ok Rich, I was layin' for ya.
This is Brownie.
Fender Stratocasters sound nothing like Gibson Les Pauls, as they use mostly different woods, different body types (sollid vs chambered), pickup construction/configuration, set up, the list goes on and on.
To most people they're all guitars, but to a picker (which as previously disclosed I am not) the one is nothing like the other.
And that's before you get into the charactor of individual guitars as different pieces of wood from the same tree will display differing personalities.
And it's Eric Clapton and Brownie's Layla that comes to mind when I think about that sweet, reedy Fender single coil sound.
And while I couldn't find any early 1970's Derek and the Dominoes performances of Layla, I did find this little treasure.
Live in the studio, this is Eric Clapton and Brownie along with three of the finest sidemen/hired guns in all of popular music, Bobby Whitlock on piano and vocals, Carl Radle on bass, and Jim Gordon on drums, together with Johnny Cash and the magnificently coiffed Carl Perkins.
Derek and the Dominoes.
It's Too Late and Matchbox.
This is Blackie.
To quote Eric Clapton from the book The Stratocaster Chronicles,
"My first Strat was Brownie, and I played it for years and years, a wonderful guitar. Then I was in Nashville at a store called Sho-Bud, as I recall, and they had a whole rack of old '50s Strats in the back, going second-hand. They were so out of fashion you could pick up a perfectly genuine Strat for two hundred or three hundred dollars — even less! So I bought all of them. I gave one to Steve Winwood, one to George Harrison, and one to Pete Townshend, and kept a few for myself. I liked the idea of a black body, but the black one I had was in bad condition, so I took apart the ones I kept and assembled different pieces to make Blackie, which is a hybrid, a mongrel."
Among Clapton and Blackie's hit records were were Lay Down Sally, Cocaine and I Shot the Sheriff.
Here's Eric Clapton and Blackie along with Tim Renwick on guitar, Duck Dunn on bass, Chris Stainton on keyboards, Jamie Oldaker on Drums, Shaun Murphy and Marcy Levy singing backup.
Just to make things clear, Clapton recorded Layla with Brownie, but is playing it here with Blackie.
You might have missed Duane Allman, I know I did.
Still, pretty good stuff.
Anyone paying attention has probably figured out that we really like music around here.
And in the interest of full disclosure we're hacks on a guitar, but if given the choice of one and only one tone to bash away at, we're picking up that Gibson Les Paul Standard with a pair of Pearly Gates pups.
You may have heard that the federal government has now twice raided the Gibson Guitar Company, confiscated their property and has subsequently refused to charge them with any crime.
On that third item, the United States government has actually fought Gibson in court in order to avoid charging them with a crime or even disclose what federal crime they are under suspicion of having committed.
Here is Henry Juzskiewicz, Chairman and Ceo of the Gibson Guitar Corp making his case.
The photo of the 1959 Gibson Les Paul Standard reissue above will link you up to Gibson's site where you can check out some beautiful American made guitars and hear some more regarding Gibson's side of this story.
The photo in the upper right hand corner of this post is that of the one and only Gibson 1959 Les Paul Standard # 9 1171, Pearly Gates herself, Billy Gibbons' favorite axe and the guitar with which he recorded Tush.
Click on that photo for a nice Billy Gibbons interview in which he discusses how he came to own what is likely the most famous guitar in the history of Rock and Roll.
This one's maybe not quite as good.
Although ... when you think about it some ..... they might be the same thing.
The above cartoon is part of a series we first saw posted at Don't Tread on Me who we have always thought of as being a lot like Just Thinking except maybe somewhat less random, more professional, polished, better edited and seemingly profitable.
Click on the photo for the original post of four cartoons, the last of which might be called provocative.
We've been having just the best time enjoying the haters on both the left and the right as they attempt to either dismiss or insert themselves into the Occupy Wall Street movement.
The trolls, media and politicians of the right religiously pursue the most cliche' ridden and ditziest possible occupiers for their film crews and interviews in an effort to portray the occupation as a gaggle of stupid, lazy, foul smelling, ner-do-well, hippy socialists.
The trolls, media and politicians of the left in a cynical attempt to ride it into electoral glory and in so doing provide themselves with yet another opportunity to plunder America for still one more election cycle, are now seeking to portray themselves as part of and ingratiate themselves into a movement that has correctly identified those very people to be a significant part of the problem.
Both will fail.
To quote anonymous,
"The abuse of corporations, banks and governments ends here."